1. Darbari Kanada
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Thaat: Asavari
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Time: Late night
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Arohana (ascending): n S R g, R S, M P d n S’
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Komal notes: g (Ga), d (Dha), n (Ni)
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Shuddha notes: S, R, M, P
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Avarohana (descending): S’ n R R S, d n S R S
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Vadi / Samvadi: R / P
Thaat: Asavari
Time: Late night
Arohana (ascending): n S R g, R S, M P d n S’
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Komal notes: g (Ga), d (Dha), n (Ni)
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Shuddha notes: S, R, M, P
Avarohana (descending): S’ n R R S, d n S R S
Vadi / Samvadi: R / P
Notation with flats/sharps:
n♭ S R g♭ M P d♭ n♭ S’
2. Todi
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Thaat: Todi
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Time: Late morning
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Arohana (ascending): S r g M P d N S’
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Komal (flat) notes: r (Re), g (Ga), d (Dha), N (Ni)
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Tivra (sharp) note: M (Ma)
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Shuddha notes: S, P
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Avarohana (descending): S’ N d P M g r S
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Vadi / Samvadi: D / G
Thaat: Todi
Time: Late morning
Arohana (ascending): S r g M P d N S’
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Komal (flat) notes: r (Re), g (Ga), d (Dha), N (Ni)
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Tivra (sharp) note: M (Ma)
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Shuddha notes: S, P
Avarohana (descending): S’ N d P M g r S
Vadi / Samvadi: D / G
Notation with flats/sharps:
S r♭ g♭ M♯ P d♭ N♭ S’
Summary:
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Darbari Kanada is late-night, serious yet majestic, with smooth glides and a romantic or heroic flavor.
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Todi is late-morning, deeply emotional and devotional, using more flattened notes (komal) and the sharp Ma (Tivra).
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Both are serious ragas, but Darbari Kanada emphasizes grandeur and glide, while Todi emphasizes introspection and emotion
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