Raag Darbari Kanada and Raag Chayanut (or Chhayanat) are both prominent Hindustani ragas, but they differ significantly in their parent scale (thaat), characteristic notes, mood, and performance time. Darbari Kanada is a grave, majestic late-night raga, while Chayanut is a more spirited evening/night melody.
Raga Comparison
|
Feature |
Darbari Kanada |
Chayanut |
|
Thaat (Parent Scale) |
Asavari |
Kalyan or Bilawal (often considered a blend) |
|
Time (Samay) |
Late night / Midnight (second quarter of the night) |
Evening / Early night (first part of the night |
|
Mood (Rasa) |
Grave, majestic, solemn, and profound |
Attractive, sweet, and emotionally swaying (often
celebratory or romantic) |
|
Prominent Notes (Vadi/Samvadi) |
Rishabh (Re) and Pancham (Pa) |
Pa - Pancham / Re -Rishabh |
|
Key Characteristics |
Uses ati-komal (extra flat) Ga and Dha
with slow, wide andolan (oscillation). Development is
primarily in the lower (mandra) and middle octaves. |
Uses both shuddha (natural) and tivra (sharp)
Madhyam (Ma). Features specific vakra (zigzag) phrases and a
vital Pa-Re association (sangati). |
|
Arohana (Ascent) |
N S R (R)g, (R)g R S, M P, d n S' (Vakra/zigzag movement,
especially around Ga and Dha) |
S R G m P D N S' (generally straighter but with specific
phrases) |
|
Avarohana (Descent) |
S' d n P M P, (M)g,P, G M .., S, (emphasis on meend and andolan) |
S' N D P M P, D P ; R G m R S |
In essence, Darbari Kanada is a complex raga of the Kanada
family with a heavy, serious character, while Chayanut has a brighter, more
fluid melodic structure often associated with the Kalyan thaat family,
utilizing distinct combinations of notes to create a different emotional
impact.
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